(
'.
2차대전까지의 다큐멘터리 사진은 이제 완벽히 끝났다는 확실한 증빙이되는 작가. 참혹한 아름다움에 대한 컨텍스트와 해석이 필요한 시대이다.
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)
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출처 : 구글이미지 검색
Sophie Ristelhueber, <em>Fait</em> (1992), 71 chromogenic prints and gelatin silver prints, mounted on aluminum with bronze powder coat frames, 100.6 x 124.8 cm each; image: 100.6 x 124.8. Purchased 2013, National Gallery of Canada, Ottawa. Photo © National Gallery of Canada
Sophie Ristelhueber, <em>Fait</em>,<em><sup> </sup>#49</em> (1992), 71 chromogenic prints and gelatin silver prints, mounted on aluminum with bronze powder coat frames, 100.6 x 124.8 cm each; image: 100.6 x 124.8. Purchased 2013, National Gallery of Canada, Ottawa. Photo © National Gallery of Canada
Sophie Ristelhueber,<em> Fait, #59</em> (1992), 71 chromogenic prints and gelatin silver prints, mounted on aluminum with bronze powder coat frames, 100.6 x 124.8 cm each; image: 100.6 x 124.8. Purchased 2013, National Gallery of Canada, Ottawa. Photo © National Gallery of Canada
Sophie Ristelhueber, <em>Fait, #60</em> (1992), 71 chromogenic prints and gelatin silver prints, mounted on aluminum with bronze powder coat frames, 100.6 x 124.8 cm each; image: 100.6 x 124.8. Purchased 2013, National Gallery of Canada, Ottawa. Photo © National Gallery of Canada
Sophie Ristelhueber, <em>Fait</em>,<em> #</em><em>19</em> (1992), 71 chromogenic prints and gelatin silver prints, mounted on aluminum with bronze powder coat frames, 100.6 x 124.8 cm each; image: 100.6 x 124.8. Purchased 2013, National Gallery of Canada, Ottawa. Photo © National Gallery of Canada
img by Sophie Ristelhuebermodified at 2016.03.26 17:13:29 by zabel
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